SCBWI

Society of
Children's Book Writers
and Illustrators

Sat. June 16th, 8:30 – 5, Middle Grade Masterclass Intensive

Date/Time
Date(s) - 06/16/2018
8:30 am - 5:00 pm

Location
The Corte Madera Inn
56 Madera Blvd - Corte Madera, CA 94925


Middle Grade Masterclass Intensive

 

Workshops to Dig Deeper Into Your Writing
Join our faculty of accomplished best selling authors for a full day of deep craft sessions  The sessions will provide practical direction and lessons on story structure, making your dialogue rich and deep, crafting a series, and writing suspense and mystery with skill and gusto. This Masterclass is a small intimate event for advanced Middle Grade writers, meaning you have completed at least one rough draft.  You’ve had your work critiqued or participate in a critique group, and have participated in professional writers conferences/programs, or are published writers. Register early to avoid disappointment.

 

Workshops

 

Jonathan W. Stokes — THE STRUCTURE OF STORY


What is it about a wonderful children’s book that a kid just can’t put it down? What makes a kid stay up late reading with a flashlight, dying to find out what happens next? The secret is a structure! Great characters, obstacles, and goals make for a great plot. This workshop will go deep into the nuts and bolts of story structure. All the venerated story theorists from Aristotle to Joseph Campbell were describing the exact same monomythic structure. The stories that truly connect with mass audiences, from Harry Potter to Lord of the Rings, all follow the same Hero’s Journey. We will identify and dissect this timeless structure, drawing from the secrets and strategies of Hollywood screenwriters. If your story loses momentum and does not grip a reader, you are probably not following these important principles!

 

Mitali Perkins — DIALOGUE: Crafting Conversation in Fiction for Middle Grade Readers

Writing excellent dialogue is crucial with an audience of young readers, who are finely attuned to the way both adults and peers converse with each other. In this hands-on, interactive workshop, participants practice writing lively conversation and learn to avoid seven common dialogue busters. Bring one scene from your work-in-progress that includes dialogue and you will revise it using these tips.

 

Jenny Lundquist — WRITING AND SELLING YOUR MIDDLE GRADE SERIES: It Begins at the End

In this workshop we will identify what type of series you’re writing and discuss why knowing your ending (most of the time!) is key to the submission process. We will also identify the unique challenges series pose for your main character’s internal and external journey. Additionally, we will examine how to reference the main action/plot items in previous books — how much detail, where it might be, etc. You are encouraged to spend time working on a synopsis for your book (and brainstorm a synopsis for a possible book 2) prior to this workshop.

 

Kathryn Reiss — THAT PRICKLE AT THE BACK OF THE NECK:  Plotting Suspense Fiction for Middle Grade Readers

You suspect you have a mystery novel in you–or are already well into a manuscript.  This workshop will help you deepen your plot structure, create believable characters, and enhance your scare-raising techniques. Our focus will be on crafting your middle grade suspense novel–discussing narrative style and creative vision, as well as offering tried and true techniques for outlining a complete novel and tips for developing nail-biting moments and page-turning scenes.  Taught by Kathryn Reiss, award-winning author of twenty novels of suspense for YA and middle grade readers.

 

Our Faculty

 

Jonathan W. Stokes

Jonathan has written screenplays on assignment for Fox, Paramount, Universal, Warner Brothers, New Line, Sony, and Indian Paintbrush, and for actors such as Will Smith, Jeremy Renner, and Hugh Jackman.  Jonathan’s last four spec screenplays were all recognized on The Black List, an annual survey of Hollywood executives’ favorite screenplays. He is a children’s author with a three-book deal at Philomel Books and a four-book deal at Viking Press, both published by Penguin Random House.
Jonathan has washboard abs, incredible taste in dishware, and 96% accuracy with high-fives. For updates on his current projects, visit the press page…

 

 

Mitali Perkins 

Mitali Perkins has written several novels for young readers, including You Bring the Distant Near (nominated for the National Book Award) Rickshaw Girl (a NYPL best 100 Book for children in the past 100 years), Bamboo People (an ALA Top 10 YA novel), and Tiger Boy, which won the South Asia Book Award for Younger Readers. She has been honored as a “Most Engaging Author” by independent booksellers across the country and selected as a “Literary Light for Children” by the Associates of the Boston Public Library. Mitali was born in Kolkata, India before immigrating to the Bay Area with her family. She has lived in Bangladesh, India, England, Thailand, Mexico, Cameroon, and Ghana, studied at Stanford and U.C. Berkeley, and currently resides in the East Bay.

 

 

Jenny Lundquist


Jenny was born and raised in Huntington Beach, CA, where she spent her time unsuccessfully learning how to surf. When she was younger, she wanted to be either a rock star or a published author. After she taped herself singing and listened to it on playback she decided she’d better opt for the writing route. Jenny is the author of multiple titles including Seeing Cinderella and The Charming Life of Izzy Malone, as well as the forthcoming The Carnival of Wishes and Dreams (Spring 2019). Visit her online at www.jennylundquist.com.

 

 

 

Kathryn Reiss

Kathryn is the author of 20 novels of suspense for middle grade and young adults readers. Message in the Bottle is her latest release. Paint by Magic, a time travel mystery, won a place on the YOYA’s “Top Shelf Fiction for Middle School Readers” and is an International School Libraries Association honor book. Time Windows was selected by the American Library Association as a “Best Book for Young Adults” award and the State of Maryland’s “Blackeyed Susan Young Reader Medal.” Dreadful Sorry, also a YALSA Popular Paperback for Young Adults, was a featured selection of the Library Guild and was named “Pic of the Crop” in The School Library Journal starred Review. Pale Phoenix and PaperQuake were nominated for the Mystery Writers of America’s prestigious “Edgar Allen Poe” award. She’s author of many of the popular American Girl books. Kathryn has been a Writer in Residence for the Princeton Arts Council, a recipient of the New Jersey State Council on the Arts Grant for Writer. She’s a graduate of Duke University with an M.F.A. in Creative Writing from the University of Michigan. She’s an English professor at Mills College teaching courses on creative writing and writing for children.

 

 

Fees & Cancellation Policy

Before May 7th
:SCBWI members: $139  
Non-members: $169
After May 8th
: SCBWI members: $159
  Non-members: $189  SAVE AND JOIN SCBWI
Refund Policy
: Full refund less $25 admin fee until May 7th. From May 8th to June 2nd, refund of $100 if spot can be filled. If the spot cannot be filled there will be no refund.
After June 2nd no refunds except in extreme circumstances.

Schedule
8:30 – 8:50        Registration
8:50 – 9              Welcome
9 – 10:15             Jonathan Stokes — The Structure of Story
10:15 – 10:25     Break
10:25 – 11:40     Mitali Perkins — Dialogue: Crafting Conversation in Fiction for Middle Grade Readers
11:40 – 1:00       Lunch (Walk across the street to the Town Center Mall)
1:00 – 2:15         Jenny Lundquist — Writing and Selling Your Middle Grade Series: It Begins at the End.
2:15 – 3:30         Kathryn Reiss — That Prickle at the Back of the Neck: Plotting Suspense Fiction for Middle Grade Readers
3:30 – 3:40        Break
3:40 – 4:10        Speaker Panel / Open Questions
4:10 – 4:20        Closing Remarks
4:20 – 5:15         Book Signing at Barnes and Noble, Town Center Shopping Center,

Lunch & Snacks:

Tea, coffee, water and light snacks will be provided.
 Please bring your own lunch or plan on going out to one of the many wonderful restaurants in the TOWN CENTER shopping center across the street from our meeting room.

Post Event Signing:

Barnes and Noble, located across the street in the TOWN CENTER shopping center will be hosting our post event signing.

Post Event Critiques
: 

Written Email Manuscript Critiques – put what you’ve learned into practice, and have your first 10 pages critiqued by a faculty member and emailed to you. All attendees will be contacted with a special code for the opportunity to purchase a written critique for $45, post conference.

Free Parking around the hotel

Program is subject to change without notice, although we will make every effort to let you know.
Any questions: Contact Colette Weil Parrinello, Co-Regional Advisor, sfnortheastbay-ra2@scbwi.org

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Ticket Information

Non Member Ticket After May 8th - $189.00


Member Ticket After May 8 - $159.00

This price is only available for SCBWI members.


The SCBWI Anti-Harassment Policy
To register for an SCBWI event, you are required to acknowledge our Anti-Harassment Policy.
Scroll to the bottom to read the policy.

You will then be able to click the checkbox indicating that you have read our policy.

 

The Society of Children’s Book Writers and Illustrators (SCBWI) is dedicated to providing a safe and harassment-free environment for all of its members and has a zero-tolerance policy regarding harassment, intimidation, and discrimination. This includes all harassment, intimidation, and discrimination made on the basis of race, age, sex, gender, gender identity and expression, sexual orientation, national origin, ancestry, disability, medical condition, religion, class, body size, veteran status, marital/domestic partnership status, citizenship or any other marginalized identity. Harassment includes verbal comments, written comments, displayed images, or behaviors such as deliberate intimidation, stalking, body policing, unwelcome photography or recording, sustained disruption of talks or other events, inappropriate physical contact, unwelcome sexual attention, and bullying or coercion of any kind, in particular forcing another to accept your beliefs.

The SCBWI Anti-Harassment Policy applies to all situations of harassment, intimidation, or discrimination at SCBWI programs and activities and is applicable to all SCBWI events and all SCBWI venues, including but not limited to SCBWI events, conferences, meetings, meet-ups, critique groups, and online interactions. Harassment, intimidation, and discrimination at any SCBWI event, any one of the foregoing events, or on-line is prohibited.

 

Code of Conduct

All participants in SCBWI events and activities, including faculty, staff, and attendees, are required to comply with the following anti-harassment code of conduct. The SCBWI Anti-Harassment Policy prohibits harassment, including but not limited to the following behaviors:

 

-Deliberate intimidation, stalking, or following.

 

-Sustained disruption of talks or other events.

 

-Inappropriate physical contact.

 

-Unwelcome sexual attention.

 

-Abusive verbal comments.

 

-Quid pro quo – sexual harassment that occurs when one in an authority position requests sex or a sexual relationship in exchange for professional consideration or favors.

 

Harassment does not include respectful disagreement or reasonable and respectful critique made in good faith. SCBWI continues to welcome and appreciate presentation of controversial ideas, free speech, and creative artistic expression. SCBWI encourages members to hold one another accountable to the Code of Conduct and to take the perspectives of others seriously when a disagreement arises.

 

 

Reporting Procedures

Any person who believes there has been a violation of the SCBWI Anti-Harassment Policy can report the offense in one or all of the following ways:

 

-All SCBWI conferences will designate one or more Safety Team Members who will be available during the conference to provide a safe space for members to report an incident. The Safety Team Member will report directly to the conference director or regional advisor in charge.

 

-A complainant may request assistance from any SCBWI officer, employee, or regional team member.

 

-SCBWI has a dedicated email address for reporting any incident of harassment. Anyone who chooses to report an incident can find the Anti-Harassment Report Form on the SCBWI website (About > Anti-Harassment) or use the following link: https://www.scbwi.org/anti-harassment-report-form/. Reports can be filled out anonymously or with identifying information. Reports should include the substance of the complaint, date, and whenever possible, a list of witnesses or a reference to the relevant URLs, if the offense occurred online. Emails will be monitored at all times, including during SCBWI events. SCBWI will fully investigate all complaints, including those made anonymously, and take whatever action is necessary and appropriate to prevent a recurrence. Please note however, that SCBWI will not be able to follow up on an anonymous report with the complainant directly, as SCBWI will not have contact information for the anonymous complainant. SCBWI will make every attempt to respond to a named complainant in a timely fashion.

 

 

Non-Retaliation

The SCBWI Anti-Harassment Policy prohibits retaliation against a member of the SCBWI community for reporting harassment, intimidation or discrimination, or for participating in an investigation relating to any complaint made. The sanctions for retaliation are the same sanctions available to address any other violation of the SCBWI Anti-Harassment Policy.

 

 

Sanctions

SCBWI takes all allegations of harassment seriously. Every report will be investigated by a panel consisting of independent consultants specializing in issues of harassment. The results of the investigation and the recommendations of the panel will be reported to the officers of SCBWI, who will determine, in conjunction with the panel or, when appropriate, in consultation with an independent arbiter, the appropriate sanction.

Sanctions for faculty, speakers, staff or board members may include any of the following:

 

-warning the party involved that the particular behavior is inappropriate and must be ceased;

 

-immediate removal from the event;

 

-denial of access to SCBWI spaces and venues on a temporary or permanent basis;

 

-withholding of a contracted honorarium;

 

-prohibition from future speaking engagements;

 

-prohibition from future faculty appointments;

 

-expulsion from SCBWI;

 

-removal from the Board of Advisors or Board of Directors, when appropriate

 

 

 

Sanctions for attendees, members, and guests can include any of the following:

 

-warning the party involved that specified behavior is inappropriate and must be ceased;

 

-immediate removal from the event, without refund;

 

-denial of access to SCBWI spaces and venues on a permanent or temporary basis;

 

-termination of SCBWI membership, without refund;

 

-prohibition future SCBWI membership

 

 

 

Confidentiality

SCBWI will make every reasonable effort to conduct all investigations into allegations of harassment, intimidation, or discrimination in a manner that will protect the confidentiality of all parties. Notwithstanding the above, confidentiality is not absolute, and those with a legitimate business reason to know and be informed of the allegations will be so informed. Parties to the complaint should treat the matter under investigation with discretion and respect the reputation of all parties involved.

 

* SCBWI acknowledges the contributions of Geek Feminism, Science Fiction Writers of America, and WisCon for their work in developing anti-harassment policies.

 

   

If you wish to file a complaint or an anonymous complaint, CLICK HERE to access the Anti-harassment Report Form.

 

If you have questions regarding this policy, you may send an email to info@scbwi.org. Please include the words "anti-harassment policy" in the subject line.

I have read and accepted the SCBWI Anti-Harassment policy.